Dr. Jez Wells
 

Dr. Jez Wells BMus (Tonmeister) Msc PhD

Lecturer in Music Technology

Email: jjw100@ohm.york.ac.uk
Homepage: http://www.jezwells.org
Tel: +44 (0)1904 32 2350
Research Area: Audio Lab

Jez graduated with a BMus in Music and Sound Recording from the Tonmeister course at the University of Surrey in 1994. Following time spent as a freelance recording engineer, music technology lecturer and working for Digital Audio Research and Fairlight he began an MSc in Music Technology at York in 2000, graduating a year later. He gained his PhD, on 'Real Time Spectral Modelling of Audio for Creative Sound Transformation', in 2006 and now works in the department as a lecturer in Music Technology as well as undertaking occasional work as a recording engineer and consultant. He was previously a teaching fellow in the department for undergraduate and postgraduate courses and, subsequently, a research associate in Room Acoustics Modelling. He teaches (or has taught) Acoustics and Psychoacoustics, Recording Studio Techniques and Technologies, Advanced Post Production Techniques, ECAD for Music, Advanced Music Technology Systems, Advanced Digital Synthesis, Hearing and Voice, Music Technology Creation and Perception, Music Technology in Action, Audio Algorithm Design and Implementation and Physical Modelling Synthesis, Music Technology Portfolio, Advanced Multimedia Applications and Speech Processing. He is Deputy Director of the Department's Graduate School.

 

Outside of his work on acoustic modelling his other research interests are real-time spectral modelling of audio and advanced audio modelling and processing for studio based effects processing, particularly directional separation of microphone signals. He has recently supervised Bachelors and Masters projects on audio processing with the two-dimensional Fourier transform, the impact of processing for live DJing on the quality of mp3 files, transcribing the music of Debussy to 19 and 31 TET tuning systems, physical modelling in PD, automated audio mixing tools, tempo perception, principal component analysis of rasterised audio, modelling of weakly non-linear systems for audio, modification of human voice characteristics and spectral modelling of guitar distortion.

 

He is currently a Royal Academy of Engineering Public Engagement Fellow.

Publications

  • Jeremy J. Wells, Methods for Separation of Amplitude and Frequency Modulation in Fourier Transformed Signals, The 13th International Conference on Digital Audio Effects (DAFx10), Graz, Austria, 978-3-200-01940-9, September, 2010
  • Jeremy Wells, Modification of Spatial Information in Coincident Pair Recordings, 128th Audio Engineering Society Convention, London, May, 2010
  • Escolano, J., Navarro, J.M., Murphy, D.T., Wells, J.J., and Lopez, J.J.,, A Comparison of Two Diffuse Boundary Models Based on Finite Differences Schemes, Proc. of the 128th AES Convention, London, UK, May, 2010
  • José Escolano, Juan M. Navarro, Damian T. Murphy, Jeremy J. Wells, José J. López,, A Comparison of Two Diffuse Boundary Models Based on Finite Differences Schemes, 128th Audio Engineering Society Convention, London, May, 2010
  • Wells, J.J., and Murphy, D.T.,, A Comparative Evaluation of Techniques for Single-Frame Discrimination of Nonstationary Sinusoids, IEEE Transactions on Audio, Speech and Language Processing, 18(3):498-508, March, 2010
  • Jeremy Wells and Damian Murphy, A Comparative Evaluation of Techniques for Single-Frame Discrimination of Non-Stationary Sinusoids, IEEE Transactions on Audio, Speech and Language Processing, 18(3)March, 2010
  • Jeremy Wells and Gregory Aldam, Principal Component Analysis of Rasterised Audio for Cross-Synthesis, The 12th International Conference on Digital Audio Effects (DAFx09), 380-386, Como, Italy, September, 2009
  • Christopher Pike and Jeremy Wells, Two Dimensional Fourier Processing of Rasterised Audio, The 12th International Conference on Digital Audio Effects (DAFx09), 271-278, Como, Italy, September, 2009
  • Alex Southern, Damian Murphy and Jeremy Wells, Rendering walk-through auralisations using wave-based acoustical models, The 17th European Signal Processing Conference (EUSIPCO 2009), Glasgow, UK, August, 2009
  • Southern, A., Wells, J.J., and Murphy, D.T.,, Rendering Walkthrough Auralisation Using Wave-Based Acoustic Models, Proc. of 17th European Signal Processing Conference, EUSIPCO2009, Glasgow, UK, August, 2009
  • Wells, J.J., Murphy, D.T., and Beeson, M.,, Temporal Matching of 2-D and 3-D Wave-Based Acoustic Modeling for Efficient and Realistic Simulation of Rooms, Proc. of the 126th AES Convention, Munich, Germany, May, 2009
  • Jeremy Wells, Mark Beeson, Damian Murphy, Temporal Matching of 2D and 3D Wave-Based Acoustic Modeling for Efficient and Realistic Simulation of Rooms, 126th Audio Engineering Convention, Munich, Germany, May, 2009
  • Wells, J.J., and Murphy, D.T., Single-Frame Discrimination Of Non-Stationary Sinusoids, Proceedings of the 2007 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, (WASPAA-2007), Mohonk Mountain House, New Pal, October, 2007
  • Wells, J.J., and Murphy, D.T., Short-Time Wavelet Analysis of Analytic Residuals for Real-Time Spectral Modelling, Proceedings of the 10th Int. Conference on Digital Audio Effects (DAFx-07), 277-284, Bordeaux, France, September, 2007
  • Enrique Perez, Jeremy Wells and Joshua D. Reiss, The Phase Amplitude Controlled Bit Stream Adder, The 31st International Conference of the Audio Engineering Society, London, UK., June, 2007
  • J. J. Wells and D. T. Murphy, High Accuracy Frame-By-Frame Non-Stationary Sinusoidal Modelling, Proc. of the 9th Int. Conference on Digital Audio Effects (DAFx-06), Montreal, Canada, September, 2006
  • J.J. Wells and D.T. Murphy,, Real-Time Spectral Expansion for Creative and Remedial Sound Transformation, 6th International Conference on Digital Audio Effects (DAFX-03), 61-64, London, UK, 0-904-18897-3, September, 2003
  • J.J. Wells and D.T. Murphy, Real-Time Partial Tracking in an Augmented Additive Synthesis System, 5th International Conference on Digital Audio Effects (DAFX-02), 93-96, Hamburg, Germany, 3-00-010151-9, September, 2002

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